Royal Academy of Music podcast - Episode 3

  • Presenter: Anna Picard
  • Producer: Natalie Steed
  • Contributors: Stephen Bourne, Melissa Doody, Julius P Williams, Allyson Devenish, Tuffus Zimbabwe

A couple of weeks ago, a social media post by the renowned South African composer Bongani Ndodana-Breen alerted me to a musician I hadn't heard of before – Jessie Margaret Soga (1870-1954). I've now added her to the timeline.

Since beginning this research, I've been really struck by how few historical South African musicians I've been able to identify in Britain, particularly given the connections that existed with South Africa during this period so it was great to hear about all the amazing things she did. It's also very interesting to note that she was so heavily political (in the Scottish suffrage movement) at a time when a more well-known Afro-British musician – Samuel Coleridge-Taylor – was very involved with Pan-Africanism. Both used their musical skills to raise funds and awareness in support of their respective sociopolitical activities.

Jessie M. Soga was a Xhosa-Scottish singer born in South Africa. Shortly after her father Tiyo's death in 1871 when she was still a baby, the remaining family moved to Scotland where she became involved in singing from childhood initially as a performer, and then as a teacher.

She studied singing and music at the Royal Academy of Music in 1894-5, and later gaining further qualifications from there as her career progressed in the early 20th century. During this period, Soga featured as a soloist in several large scale concerts with choral societies across Scotland while also becoming very involved in women's suffrage campaigns and organising multiple fundraising events for the cause.

Despite the rest of her family returning to South Africa over the years, Jessie Soga remained in Scotland and died in Glasgow at the age of 83.


Thanks to Bongani for bringing Jessie Soga to my attention. I strongly recommend listening to his work, if you haven't already!

 

 

Image of Rotterdam Centraal Station

It has been an incredibly busy few months - finishing off various project and starting new ones - but I'm really excited about this announcement. plainsightSOUND has been selected as one of the Project Pitches at Classical:NEXT 2020!

It's a great honour to be one of the 14 international projects selected. This year's group of entries chosen by the jury covers 12 different countries, and they all look fantastic. Classical:NEXT is considered the "largest global gathering of professionals for all sectors of classical and art music". This year, it takes place in Rotterdam, Netherlands and runs from 18th-21st May 2020. It's a great honour to be one of the 14 international projects selected. This year's group of entries chosen by the jury covers 12 different countries, and they all look fantastic.

This will be the first time that I'll be able to talk about the project to an international audience. It's also a chance for me to meet with potential project collaborators, which is even more exciting.

Info about all of the pitches (including plainsightSOUND) can be found here. There's also an official Classical:NEXT promo video you can watch.

 

I'm really looking forward to spreading the word about historical Black classical composers. If you're attending the event in May, come and say hi!

 

I'm doing my best to keep the Events page on the site updated. If you're interested in where plainsightSOUND has been and will be in the future, do have a look.