Atwell at the BL

It hasn't been very long since my last post about Winifred Atwell, but I couldn't resist this opportunity to plug something else I've written her. This time, I've been writing about archival recordings by and about Winifred Atwell at The British Library, as part of my Edison Fellowship there.

The blog post focuses specifically on recordings that you can find in the British Library's catalogue. As well as Atwell's performances, you can also hear interviews with some of the people who had met her. I've included clips of all of these in the Sound and vision blog post.

Have a read, listen and let me know what you think!

It's much easier than it used to be to do your own research at the British Library. Or you just visit one of the free or ticketed exhibitions that they regularly have. More information is on the British Library website https://www.bl.uk and I highly recommend a visit.

For more information on other musicians in this project, take a look at the plainsightSOUND Timeline.

photo of Winifred Atwell

I’m back for the New Year with someone that I can’t believe I hadn’t heard of before – Trinidadian-born pianist Winifred Atwell. Although she influenced a number of musicians through her ragtime performances and compositions, Winifred was also sought after for her classical performances.

I first came across her at the Black Sound exhibition at the Black Cultural Archives in Brixton in 2018 and couldn’t understand why I wasn’t already aware of someone who, as well as being a famous black pianist who worked across genres, was the first black person to have a no. 1 UK single and still seems to be the only female instrumentalist to have achieved that!

Judging by the comments below her YouTube performances, she has a pretty loyal fanbase and recorded TV performances are still being uploaded wherever they’re found.

I’m hoping I’ll have a chance to put together a Spotify playlist soon but until then, here’s another video to keep you going.