Sowande brothers updates at BFI

Among Fela Sowande’s compositions are soundtracks that he wrote for films including The Plainsmen of Barotseland (1943) and African Awakening(1962). He also makes an appearance as a pianist in the 1946 wartime drama The Lisbon Story. All of this means he has featured in the British Film Instituted archives. While doing the research for my last blogpost, I realised something that had confused me in the BFI archives previously – a reference to Olu Sowande as narrator in the documentary Nigerian Harvest (1962) took me to Fela’s page. I assumed that someone had mistakenly made a reference to Fela’s full name (Olufela) and ignored it. When I realised that one of his brothers was called Olu, I got in touch with the BFI and after providing evidence that Olu was a different Sowande, they not only updated the link but created new pages for the remaining brothers so they can be referred to if any one find them in old films or footage.

Mistakes happen with names – especially non-European ones – so much in archives. There must be so many other Black musicians that are lost within them because someone has made what looks like a small mistake that can bury their work for a long time.

Samuel Coleridge-Taylor violin repertoire

Schott Music have recently reprinted Suite de Pièces by Samuel Coleridge-Taylor for violin and piano. It has been available as download only for a while but if, like me, you prefer to perform from printed scores, this is a welcome addition. Thanks to Ian Mylett at Schott for telling me about this.

Title page of Suite de Pieces piano score
Title page of Suite de Pieces piano score

There are several other works by Coleridge-Taylor that were originally published by Schott but are no longer available. Hopefully, more of these Schott editions will be reissued soon… I’m updating the plainsightSOUND database as this information comes in, so get in touch if I’ve missed anything!

Listen to Suite de Pièces performed by Maria Ioudenitch (violin) and Sahun (Sam) Hong (piano). Maria Ioudenitch performs on the on the Joachim-Ma Stradivarius

Timeline additions

Four new people have been added to the plainsightSOUND timeline – Yinka Sowande, Olu Sowande, Meki Nzewi and Christopher Oyesiku. There are so many more people to add to the timeline and I’m looking for other ways to display this data too. Let me know if you have any more ideas!

Audience at Cathedral Church of Christ, Lagos concert

Image: Cathedral Church of Christ, Lagos Yellowcrunchy, CC BY-SA 4.0, via Wikimedia Commons

Within musical families, creative interest among several siblings is pretty much expected. When we look back in history though, it is not unusual to find individual siblings who become more well-known within specific genres or fields. A while ago, I wrote about Frederick Bridg(e)tower who - as well as his child prodigy brother George - excelled and remained in music throughout his short life. We also have the Aldridges - Luranah, Amanda and Ira - who were the children of the African American actor Ira Aldridge (Alex Ross wrote an interesting article on the elder Aldridge back in 2013). Added to these are the Sowande brothers, of which Fela Sowande (1905-1987) is probably the most well-cited among British musicians today. The brothers - Fela, Yinka, Olu and Tunji - all received their initial choral training at the Cathedral Church of Christ, Lagos. Fela and Yinka were also organists at the church. I've previously written about Fela, but his brothers were pretty interesting too.

Yinka Sowande (1910-1993)

Williams Olayinka Sowande also studied music in England and later held various positions as organist at Cathedral Church of Christ, Lagos in Nigeria during his lifetime. Unfortunately, I don't have a huge amount of information on Yinka yet, but I'm hoping more is coming soon.

Tunji Sowande (1912-1996)

While Fela initially studied economics, Tunji Sowande studied Law at Kings College, London while also sustaining himself with a successful career as a jazz drummer and saxophonist. Like Fela, he was associated with high profile musicians including Rita Lawrence, Ronnie Scott, Johnny Dankworth and Paul Robeson. Unlike his eldest brother, however, he eventually decided to focus on his career as a barrister - having been called to the bar in 1952. From there, he became the first Black Head of Chambers at a major set in 1968 and in 1978 was appointed the first Black Deputy Circuit Judge in the UK. The play Just an Ordinary Lawyer by Tunji Aluko explores his life through words and music. Take a look at the trailer below:

Olu Sowande (1916-1968)

Olubunmi Jonathan Sowande was the youngest of the four musician brothers. His received his initial voice training from his mother and his first piano lessons from eldest brother Fela. On April 3, 1956, he travelled to England to study operatic singing at Guildhall School of Music & Drama. As a member of the London International Choir, he introduced his peers to Nigerian folk songs. Olu returned to Nigeria in 1960 - around the same time as bass singer and music educator Christopher Oyesiki - and took up a post as a Senior Program Assistant at NBC. Through his weekly program Olu Sowande's Show he showcased several important musicians including the now famous Fela Kuti (an alumn of Trinity College of Music, London).

Special thanks

This post was inspired by a fantastic Olu Sowande biographical Facebook post by Professor Godwin Sadoh in 2020. Professor Sadoh writes extensively on Nigerian musicians and ethnomusicologists, including in his book The Centenary of the Cathedral Church of Christ choir, Lagos available in paperback and ebook formats.

All four of the brothers now appear on the plainsightSOUND timeline.

photo of Akin Euba drumming

This week, I heard the sad news that the respected Nigerian composer, ethnomusicologist and pianist Professor Akin Euba passed away on April 14th. The work of Professor Euba has featured in many aspects of this project, particularly through collaborations with Decus Ensemble where I have been able to programme both his 5 Pieces for English Horn and Piano and his String Quartet.

Among the many tributes shared in the days since his passing, was one by Professor Godwin Sadoh who has been a great supporter of the plainsightSOUND project. I am sharing it below with his permission.

Akin Euba: Foremost Nigerian Musicologist and Composer Dies at 84

Akin Euba was born on April 28, 1935, in Lagos, Nigeria.  He had his early musical training in Lagos before proceeding to England for advanced studies.  In four years at the Trinity College of Music, Euba earned three diplomas:
Associate of the Trinity College, London (Piano Performance) 1954; Licentiate of the Trinity College London (Teacher’s Training Diploma) 1955; and Licentiate of the Trinity College London (Piano Performance) 1956.  At UCLA, Euba graduated Cum Laude with a B.A. degree in Music in 1964 and completed his Master’s degree also at UCLA in 1966.  In 1967, he registered with the University of Ghana as a Ph.D. student in ethnomusicology under the supervision of late Prof. Kwabena Nketia, and subsequently graduated in 1974. 

In the area of academic position, Euba has been a lecturer, Visiting Fellow, and External Examiner at a variety of universities in Africa and North America.  His first position as Lecturer at the University of Lagos in Nigeria extended from 1966-68. From 1968-75, he was a Senior Research Fellow at the University of Ife in Nigeria, where he served as the Founding Head of the Department of Music.  He spent the Summer of 1969 at Howard University in Washington, D.C. Assignments as External Examiner involved both the University of Ife and Makerere University in Uganda. Euba was a Professor at the University of Lagos from 1978-81.  Among other appointments, he was Director of the Center for Intercultural Music Arts in London, which he founded, in 1988.  He was also Honorary Visiting Professor, Department of Music, City University, London.  Other academic appointments include Research Scholar and Artist-in-Residence at the IWALEWA House, the African Studies Center of the University of Bayreuth in Germany, between 1986 and 1992.  He was the Andrew Mellon Professor of Music at the University of Pittsburgh between 1993 and 2011.  Until his death on April 14, 2020, exactly two weeks before his 85th birthday, Akin Euba was the Andrew W. Mellon Professor, Emeritus in music.

Professor Akin Euba at the piano – University of Pittsburgh

While in the employ of the University of Pittsburgh, Euba taught several courses including Music in Africa, Introduction to Ethnomusicology, Field and Lab Methods, World Music, Creative Ethnomusicology, and Intercultural Musicology.  He was well known for pioneering various theories, including those of African Pianism, Intercultural Musicology, and creative ethnomusicology.

Selected Activities

  • Azusa Pacific University, School of Music’s first World Music Scholar-in-Residence, 2004.
  • Composer-in-Residence, Ensemble Noir, Toronto, 2003.
  • Organizer, 1st and 2nd biennial international symposium and festival on the theme “Composition in Africa and the Diaspora,” Churchill College, University of Cambridge, 2001 and 2003.
  • Organizer, International symposium and festival on the theme “Towards an African Pianism: Keyboard Music of Africa and Its Diaspora,” University of Pittsburgh, 1999.
  • Overseas Fellow, Churchill College, University of Cambridge, 2000-1.

Selected Honors/Awards

  • Biography in New Grove Dictionary of Music and Musicians, 2d ed., 2001
  • Biography in International Dictionary of Black Composers, 1999

May his soul rest in peace.

Prof. Godwin Sadoh
Former student of Akin Euba